Audio post test
VoiceArchive — Audio Post Production
The visuals are done.
The audio isn't.
One team. Voice through final mix.
One brief in — one cohesive, broadcast-ready production out.
No coordination overhead. No version confusion. No last-minute scramble.
The current situation
You know it's not finished.
You just can't point to why.
The offline edit is locked. The visuals are approved. You watch it back one more time and something pulls at you. The voice over sounds disconnected from the picture. The transitions feel empty. The music is serviceable. It technically works — but it doesn't land.
You message the editor: "can you just make the audio feel bigger?" The editor tells you they're not a sound designer.
And now you're the communication layer between people who have never spoken to each other.
- A VO vendor who delivered clean dialogue — but has no idea what the music track is doing
- A freelance music composer who sent a track that was "close enough" — synced to nothing
- A sound designer you found on short notice who doesn't have the offline edit reference
- A mix engineer who is waiting on stems from three people who are all waiting on each other
- Version confusion at 11pm — two sets of stems, neither clearly labelled, one Dropbox link that expired
- A client feedback round on audio that adds three more days you don't have
Fragmented vendors cannot produce cohesive audio. Because cohesive audio requires creative decisions that span every discipline simultaneously — and nobody in your current chain is making those decisions together.
The cost nobody puts in a spreadsheet
When audio feels unfinished,
the entire production does.
Your client cannot articulate exactly what went wrong. They won't say "the mix was thin" or "the foley was sparse." They'll say it felt flat. They'll say it didn't hit the way they expected. They'll say it didn't feel campaign-ready.
That judgment doesn't land on the audio vendor. It lands on the production. On you. Even when the visuals are strong — and they are — audio is the thing that signals whether craft was taken seriously at every level.
"The audio gap is a credibility gap. When the sound doesn't match the quality of the picture, the whole thing reads as unfinished — even if the viewer can't say exactly why."
The coordination fatigue compounds it. Every Dropbox link you chase, every stem you relay between vendors, every feedback round you absorb on behalf of people who should be speaking directly — that is time and focus pulled from the parts of your job that actually require a senior producer.
The solution
One brief. One team.
One cohesive output.
VoiceArchive brings audio post together under a single workflow — the same team handling every discipline from first brief to final delivery. Not a network of freelancers who pass files between Dropboxes. One integrated process, with creative continuity across every layer.
01
Voice Over
Cast, directed, and delivered to the brief — already synced to your picture, not handed off blind.
02
Custom Music Composition
Composed to your pacing and emotional arc — not licensed stock placed against a locked edit.
03
Sound Design & Foley
Layered to support the picture — transitions, ambience, texture. The details that make a cut feel alive.
04
Dialogue Cleanup
Noise reduction, de-essing, breath control, and room correction — handled before the mix, not patched after.
05
Final Mix & Mastering
Every element balanced and interlocked — not assembled from stems that were never designed to sit together.
06
Platform Delivery
Broadcast-ready files formatted to spec — LUFS levels, versioning, market variants. Nothing left for you to chase.
You have a deadline. So do we.
Send us the briefProof
The same edit.
A completely different result.
A commercial came to us in final production week. Visuals locked, client approved. The PM knew something was wrong but couldn't name it precisely. The client's response after the first review: "It feels flat."
Technically complete.
Emotionally absent.
- VO delivered clean, but disconnected from picture pace
- Stock music licensed at the last stage — not composed to the cut
- Minimal sound design; transitions between scenes felt hollow
- No coherent audio arc across the 60-second spot
- Client feedback: "It looks great. It just feels flat."
- PM absorbing communication between three separate vendors
The same visuals.
Now they land.
- Custom music composed to picture pacing and emotional arc
- Layered sound design across every transition and scene cut
- Enhanced ambience and foley — depth the original never had
- VO re-directed and remixed against a locked music bed
- Full broadcast mix delivered to platform spec, first pass
- Client response: cinematic, emotionally engaging, campaign-ready
9/10
First-pass approval rate across all VO and audio post jobs in the last 12 months
90k+
Voice over and audio post jobs completed — across markets, languages, and broadcast formats
75%
Of Fortune-listed brands have trusted VoiceArchive with their international audio production
4.9
TrustScore — from PMs who needed audio to be the easiest part of their campaign
Why this is different
One of the only companies
built this way.
Most audio post houses do not do voice over. Most VO vendors do not do post. The ones that claim to do both are usually referring an overflow to a separate partner — which means you are still the coordination layer, just one step removed.
01
High-volume VO expertise and full-service audio post under one workflow
Not two companies with a referral arrangement. One team, one brief, one production thread — from cast brief through final mix and broadcast delivery.
02
19 hours of daily coverage across a global workflow
Final production week does not keep business hours. Neither do we. When you send the brief at 11pm, the workflow is already moving.
03
You brief once. You review once.
The PM never becomes the communication layer between disciplines. Creative decisions that span voice, music, sound design, and mix are made by one team — not relayed across Dropbox and email.
04
What producers say after delivery
Confident presenting the work. Relieved audio is handled. Proud of the final product. Assured the production sounds as premium as it looks. That shift — from hoping the client won't notice to knowing they will feel it — is what this workflow is built to produce.
Start now
You have an air date.
Send us the brief today.
Tell us what you have — the edit, the deadline, the format requirements. We will come back with a clear process and a production plan. One brief in. One cohesive, broadcast-ready output out.